| Joe Pass |
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Joe Pass (born Joseph Anthony Passalacqua, January 13, 1929, New Brunswick, New Jersey, U.S., died May 23, 1994, Los Angeles, California), was a jazz guitarist. His extensive use of walking basslines, melodic counterpoint duringJoe Pass improvisation, and use of a chord-melody style of play opened up new possibilities for jazz guitar and had a profound influence on future guitarists. Early lifeJoe Pass, the son of Mariano Passalacqua, a Sicilian-born steel mill worker, was raised in Johnstown, Pennsylvania. Born into a non-musical family, Pass started to play the guitar after being inspired by actor Gene Autry's portrayal of a guitar playing cowboy. He received his first guitar, a Harmony model bought for $17, on his 9th birthday. Pass' father recognized early that his son had "a little something happening" and pushing him constantly to pick up tunes by ear, play pieces not written specifically for the instrument, practice scales and not to "leave any spaces" - that is, to fill in the sonic space between the notes of the melody. As early as 14, Pass started getting gigs and was playing with bands fronted by Tony Pastor and Charlie Barnet, honing his guitar skills and learning the music business. He began traveling with small jazz groups and eventually moved from Pennsylvania to New York City. In a few years, he fell victim to drug abuse, and spent much of the 1950s in relative obscurity. Pass managed to emerge from it through a two-and-a-half-year stay at Synanon, drug rehabilitation program. During that time he slowly returned to playing. In 1962 he recorded "The Sounds of Synanon".  Discovery and subsequent careerPass recorded a series of albums during the 1960s for the Pacific Jazz label, including the early classics "Catch Me," "12-String Guitar," "For Django," and "Simplicity." In 1963, Pass received Downbeat Magazine's "New Star Award." Pass was also featured on Pacific Jazz recordings by Gerald Wilson, Bud Shank, and Les McCann. Pass toured with George Shearing in 1965. Mostly, however, during the 1960's he did TV and recording session work in Los Angeles. He was a sideman with Louis Bellson, Frank Sinatra, Sarah Vaughan, Joe Williams, Della Reese, Johnny Mathis, and worked on TV shows including the The Tonight Show Starring Johnny Carson, The Merv Griffin Show, The Steve Allen Show, and others. In the early 1970s, Pass and guitarist Herb Ellis were performing together regularly at Donte's jazz club in Los Angeles. This collaboration led to Pass and Ellis recording the very first album on the new Concord Jazz label, entitled simply "Jazz/Concord" (#CJS-1), along with bassist Ray Brown and drummer Jake Hanna. In the early 1970s, Pass also collaborated on a series of music books, and his Joe Pass Guitar Style (written with Bill Thrasher) is considered a leading improvisation textbook for students of jazz. Norman Granz, the producer of Jazz at the Philharmonic and the founder of Verve Records signed Pass him to Granz's new Pablo Records label in 1970. In 1974, Pass released his landmark solo album "Virtuoso" on Pablo Records. Also in 1974, Pablo Records released the album "The Trio" featuring Pass, Oscar Peterson, and Niels-Henning Orsted Pedersen. "The Trio" won a Grammy award for best jazz performance. As part of the Pablo Records "stable," Pass also recorded with Benny Carter, Milt Jackson, Herb Ellis, Zoot Sims, Duke Ellington, Dizzy Gillespie, Ella Fitzgerald, Count Basie, and others. Pass and Ella Fitzgerald recorded four albums together on Pablo Records, toward the end of Fitzgerald's career. She had previously recorded several albums with just piano accompaniment, but a guitar proved to be a good melodic foil for her. They appeared together on the albums; Take Love Easy (1973), Easy Living (1986), Speak Love (1983) and Fitzgerald and Pass... Again (1976).  LegacyIn addition to his ensemble performances, the jazz community regards Joe Pass as an influential solo guitarist. His solo style was marked by an advanced linear technique, sophisticated harmonic sense, counterpoint between improvised lead lines, bass figures and chords, spontaneous modulations, and transitions from fast tempos to rubato passages. Pass's early style (influenced by guitarist Django Reinhardt and saxophonist Charlie Parker), was marked by fast single-note lines and a flowing melodic sense. Pass had the unusual lifelong habit of breaking his guitar picks in half and playing only with the smaller part. As Pass made the transition from ensemble to solo guitar performance, he preferred to abandon the pick altogether, and play fingerstyle. He found this enabled him to execute his harmonic concepts more effectively. His series of solo albums, "Virtuoso" (volumes 1 through 4) are a demonstration of Pass's refined technique. Joe Pass let some instrument manufacturers use his name, but he only used those instrument to fulfill its engagement against those brands, or as travelling ones. He really used to play a Gibson ES-175 guitar (mainly) and a guitar made for him by master crafter Jimmy D'Aquisto. Epiphone has produced an edition of the Emperor line of semi-acoustic Guitar in his honour. Previously Ibanez had a Joe Pass model jazz guitar, as they continue to for influential jazz guitarists George Benson and Pat Metheny. Solo albums* The Stones Jazz * Virtuoso * Virtuoso II * Virtuoso III * Virtuoso IV * Virtuoso Live! * At Montreux Jazz Festival * Montreux '77 - Live * I Remember Charlie Parker * University of Akron Concert * Blues for Fred * What Is There to Say * Songs for Ellen * Unforgettable * Blues Dues * Joe pass guitar interludes psyche jazz lp With Oscar Peterson* A Salle Pleyel * Porgy and Bess * The Good Life (with Niels Pedersen) * The Trio * The Paris Concert (with Niels Pedersen) * The Giants (with Ray Brown) * If You Could See Me Now (with Niels Pedersen, Martin Drew) * A Tribute to My Friends (with Niels Pedersen, Martin Drew) With Niels-Henning Orsted Pedersen* Chops * Northsea Nights * Digital III at Montreux (1979) * Eximious With Ella Fitzgerald* Take Love Easy (1973) * Sophisticated Lady * Fitzgerald and Pass...Again (1976) * Speak Love (1983) * Easy Living (1986) * Gee Baby 'Aint I Good To You (1986) With other musicians* Sounds of Synanon (with Arnold Ross, Dave Allan, et.al.) * Moment of Truth (with the Gerald Wilson Orchestra) * Portraits (with the Gerald Wilson Orchestra) * On Stage (with the Gerald Wilson Orchestra) * Somethin' Special (with Les McCann) * On Time (with Les McCann) * Jazz As I Feel It (with Les McCann) * For Django (Joe Pass Quartet, with John Pisano, Jim Hughart, and Colin Bailey) * Simplicity (Joe Pass Quartet, featuring Clare Fischer) * Catch Me! (with pianist Clare Fischer, bassist Ralph Pena, and drummer Larry Bunker) * Brassamba (with Bud Shank) * Folk 'n' Flute (with Bud Shank) * Intercontinental (Joe Pass Trio) * Joe's Blues (with Herb Ellis) * Jazz Concord (with Herb Ellis, Ray Brown, and Jake Hanna) * Seven Come Eleven (with Herb Ellis) * Two for the Road (with Herb Ellis) * Ira, George And Joe (with John Pisano) * Summer Nights (with John Pisano) * Appassionato (with John Pisano) * Duets (with John Pisano) * Live at Yoshi's (with John Pisano) * My Song (with John Pisano) * Tudo Bem (with Paulinho Da Costa) (1992) |
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